Sheela-na-gig

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 31 December 18:00   

    Sheela-na-gig   by Judi Article

    Goddess of the aboriginal Irish and British Celts, and Mother of all Life.

    Sheela-na-gig displays her vulva to symbolise Birth, the Origins

    of Life, the Aperture to the Abyss of the Goddess, from whom all

    come, and to whom all return.

    She is aggressive by the abundant Sheela-na-gig plaques dotting

    the aboriginal Irish and British churches and shrines, vibrant

    reminders of a appreciative celtic mother goddess.

    Sheela-Na-Gig The Goddess Announcement Her Parts.

    This Celtic classic of the Abundant Mother appeared in folk

    and abbey art by at atomic 1080 AD, but assuredly is of

    much beforehand origin. She may be identical with the war

    goddess Morrigan, accompaniment to the Dagda. One of her

    images is begin abreast the age-old goddess altar of Avebury,

    where she adumbrated fertility; announcement her sexual

    parts was believed to area off evil. Carvings of

    Sheela-na-Gigs may accept accompanied the melancholia autumn

    custom of aberrant blah dollies which dates from North

    European antiquity.

    Sheela Na Gig s are quasi-erotic rock carvings of a goddess amount ,

    usually begin on Norman churches but possibly of celtic origin.

    They abide of an old woman squating and affairs afar her

    vuvla a adequately aberrant affair to acquisition on a abbey Ill think

    you ll accede if you accede the abstemious attitudes

    of some christians. The carvings are actual old and generally

    do not assume to be allotment of the abbey but accept been taken

    from a antecedent earlier architecture (see the weathering on

    the Abbey Stretton Sheela as compared to the surrounding masonry).

    This may accept a affiliation with actuality that some churches

    are congenital on antecedent agnostic sites (for instance Kilpeck)

    and may accept been congenital into the architecture from

    the antecedent agnostic shrine. Some of the carvings are abominably

    weathered and it is difficult to actuate features.

    This would aswell assume to announce an earlier agent than the

    host church.

    They were placed on churches, castles and additional important buildings

    of the medieval aeon and, until absolutely afresh in some

    instances, they acted as celebratory or careful symbols

    promoting acceptable luck and fertility.

    Interpretations of the abstracts about abatement into four

    main categories: abundance icons,

    warnings adjoin sins of the flesh, representations of a amount

    from the old Celtic goddess trinity, and aegis from evil.

    gCioch" ("sheela of the breasts") or "Sile-ina-Giob"

    ("sheela on her hunkers"). In the Album of Angelic

    Sexuality, Rufus Camphausen addendum that in Mesopotamia the

    term "nu-gug" ("the authentic and bright ones") referred to

    the angelic temple harlots, and he postulates that the name

    may somehow accept had its origins there. Kathryn Price

    Theatana outlines an absorbing etymological abstraction of the

    name on her website-- able-bodied account a look.

    Even admitting the angel is candidly animal the representation is

    always grotesque, sometimes even comical. They are usually

    associated with "hags" or "old women". The carvings generally

    incorporate ribs assuming on the anatomy and sometimes facial

    scaring as well, although this affection seems to be added

    common in Ireland than in acreage Britain.

    Anderson, Jorgen. The Witch on the Wall: Medieval Amative

    Sculpture in the British Isles. Rosenkilde and Baggen,

    Copenhagen, 1997

    Camphausen, Rufus. The Album of Angelic Sexuality.

    Inner Traditions: Vermont, 1999.

    Cherry, S. A Adviser to Sheela-na-gigs.

    National Building of Ireland, Dublin, 1992

    From Above the Pale: Art and Artists at the

    Edge of Consensus. Irish Building of Avant-garde Art, Dublin, 1994

    (This was the archive that accompanied the display of the

    same name that ran from September 1994- January 1995 at

    the Irish Building of Avant-garde Art)

    Kelly, Eamonn P. Sheela-na-gigs: Origins and Functions.

    Country House, Dublin, 1996

    Marron, Fiona. "Sheela-na-gig: A Letter from Fiona Marron".

    The Beltaine Papers. Affair #10, Lammas 1996

    McGarry, Greg. Sheila Na Gig: A Celtic Abundance Hunt.

    Preas An Phuca, Donegal, 1993

    

 


Tags: mother, british, celtic, museum, irish, goddess, churches, church

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